两个月后,重新打开画面,他发现了新的剪辑逻辑。声音的河流引领他重新拼接影像碎片,他不再执着于最初预设的政治历史框架,而是让材料自身的情感脉络浮现。杜耀豪总结:“电影实际上是一个非常透明的失败过程。我没有成功地把他们聚在一起,也没有人比以前更快乐。”
"When you go around research labs, or you talk to start-ups, they have really good sensors, and then you ask them how long they work. They say 'six months'. That's great for R&D... but in industry, I want this robot to work for 10 years," he says.
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